pal/imp/sest (2024)
Single-channel digital video, color, stereo sound
Essay film
[a revisitation of a visitation]
A choir of witnesses revisit a disrupted mourning session. The polyphonic narration oscillates between absurd and profound / personal and found footage of how grief rituals manifest. Delving into a series of ruptures, possessions, and dispossessions is a geopoetic witnessing of colliding and entangled histories, traumas, and bodies through unfolding violence on Onondaga land, Afghanistan, and Gaza.
Viewing link for full video available upon request.

Installation view from "Unsettled, Unbridled, Unbound" (2024). Documentation by Joe Zhao.